Hello, friends and strangers!

A lot has happened since our last update. First and foremost, the biggest news of all: A Kingdom of Tea & Strangers has officially been completed and premiered! This post is going to include a recap of the premiere night, but if you'd like to hear updates about what's next and where the film will be viewable in the coming months, just scroll down to the updates section.

A Screening of Tea & Strangers

We finally did it! Debbie and I are so grateful to those of you who generously gave to make this film and this night happen, and we were thrilled to see some of you at this first showing at the beautiful Belcourt Theatre in Nashville. All in all, we had over 170 people attending on the night—including many Kickstarter backers and Art Within donors. It was a gift to see so many wonderful people gathering, beholding, and sharing in the same room together.

Watching the film in community with others was a joy—especially as everyone began to laugh, cry, and eventually ponder together. After weeks of editing and technical details to make sure the film would play correctly, it was beautiful to see the entire movie on such a gorgeous screen side-by-side with so many lovely folks.

The discussion afterwards was very meaningful and rich, too; rather than doing a traditionally one-sided Q&A, we ended up having more of a L'Abri-style discussion with the audience—and many of the things shared were insightful, vulnerable, and moving. We plan to continue this focus on discussion in future screenings.

The biggest relief and joy was that the film seemed to resonate in a very universal way with people, even those who had never encountered L'Abri; in the hours and days that followed, it was wonderful to hear many reflecting on the attributes of the kingdom, the character of God, and the practical ways of hospitality and true spirituality in everything. Personally, I could not be happier or more proud of how the film turned out. Without so many generous people, it would still be 90 hours of footage sitting on a hard drive.

Updates & What's Next

Hello, dear friends and strangers!

Houston here. It’s been a good while since we last updated you all on the progress of A Kingdom of Tea & Strangers—and suffice to say, there is a lot of new information to give you. Many people have asked for an update in the last month or so, and I'm hoping that this post will explain a bit about why information has been so sparse since December.

To avoid keep you waiting, though, I thought I'd give the most important update right at the start. It's a classic "bad news, good news" situation: the bad news is that the film will unfortunately have its premiere delayed. The good news is that the new date has been permanently set and The Belcourt Theatre has been officially confirmed: A Kingdom of Tea & Strangers will premiere at 7:30pm on August 29th, 2024!

Now, for a little explanation about what we've been doing these last few months, the progress we've made, and why this delay had to happen...

The Great "Where Are They Now?" Tour

When our Kickstarter finished with 100% funding on December 1st, Debbie and I were thrilled to have crossed the finish line with so much enthusiasm and support—and also very conscious that we were preparing to leave for Czech Republic to be with Debbie’s family during the Christmas season!

Time with family was precious. Over the holidays in Europe, Debbie’s green card was officially approved, which was another huge weight off our shoulders and meant that we could travel more extensively. Thanks to the funding from Kickstarter, in January we were able to book our follow-up interviews with several former L’Abri students across Europe: in Edinburgh, Bath, Greatham (L’Abri) and Norway!

The visits to Edinburgh and Bath to interview our dear friends Ellie and Gracie were downright magical, filled with the delight of seeing the spaces these former L’Abri students have found to call their own. One of our hopes for A Kingdom of Tea & Strangers has been that it would depict the reality of life outside of L’Abri rather than merely staying insulated within it—and following up with these precious friends to hear about how they’ve incorporated ideas like hospitality and community into their daily lives was a deeply rewarding thing to capture. We also got to share the current cut of the film with both Gracie and Ellie, which was a rich "full circle" moment to experience.

After our time in Bath, we took the train down to South England to stay for what we thought would be just a few days back in The Manor House at English L’Abri. We wanted to revisit and interview a few people currently living in the nearby area, and there were a few extra shots of the Manor House and the surrounding region that we’d wanted to capture since we were already around. Kindly enough, the workers at English L'Abri offered to let us stay the week in the Well House, a cozy flat on the edge of the property that we’d have all to ourselves. Things fell into place, and when we arrived back at The Manor, it was a joy to see the place we’ve treasured so much once again after so long away. In fact, we were arriving around the very same time we’d met in spring of 2020—four years earlier.

After arriving at The Manor, four major things happened over the course of 24 hours: one, our upcoming interview in Norway suddenly fell through due to some unforeseen circumstances. Two, I fell terribly and undeniably sick and realized I wouldn't be able to go anywhere for a couple days. Three, we realized that there were no less than six friends we already knew and loved from previous L’Abri terms currently staying at The Manor for the spring. And four, Debbie had the sudden instinct that maybe we needed to consider the idea of staying for the full spring term at L’Abri.

In many ways, staying for the term made no sense; we’d just signed a lease on a one-bedroom apartment in Nashville with the intention of moving as soon as we returned to the states in February. We’d recently finished the Kickstarter campaign with a promised premiere date of June 2024. And we hadn’t planned or budgeted to stay more than 5 days in England maximum.

Even so, in the months leading up to this trip, the two of us had been going through a hard season, for a myriad of reasons. We both had difficult things that we needed to work through individually—and we knew we'd been needing rest and wisdom.

This might surprise you, but personally, I (Houston) was not in a state of mind where I wanted to stay at L’Abri when the concept first struck me. I loved the place and the people dearly, but I was ready to go back to America, move into our flat, continue work on the film, and start our normal life. More than that, I was exhausted by the idea of meeting a whole house of new people, being exposed and known in all my vulnerabilities and weaknesses, and being forced to wrestle with difficult and sensitive issues surrounded by community.

My dad, Bryan, is a filmmaker as well—and he said to me once that “whenever you make a movie, God also makes you live that movie.” I had thought maybe we’d already “lived” A Kingdom of Tea & Strangers by trying to understand and apply ideas like hospitality and intentional community in our ordinary lives. But now it dawned on me that a huge portion of the film was focused on people who are wrestling with hard things at L’Abri and allowing themselves to be known and loved in that wrestle. One of the workers, Joel, expressed the sentiment quite succinctly in our trailer: "Some people come to L'Abri thinking 'oh a shelter, great, I won't have to deal with the difficult things in my life,' whereas I would say the shelter is meant to give us a place to deal with the difficult things."  I'd been seeing L'Abri as a place to getaway for a few days, capture some lovely footage, and leave without being truly vulnerable. I realized that I needed to practice what we were preaching. After a few days of thought and prayer, we finally decided to trust God with the practical details and stay for the term.

The following two months were some of the most difficult and messy—but also some of the most honest and meaningful—that I’ve ever experienced. I won’t say too much more than that, but I believe that God brought us to L’Abri at exactly the time we needed it—and we were met with an honest, committed love and care that boggles the mind and stirs the heart. The children in The Chronicles of Narnia usually don't expect or anticipate the moment they're going to be pulled into the wardrobe, or through the picture frame; it's only when it happens that they start to realize that Aslan has called them back for a particular reason. That sense was palpable.

In the midst of the term, other little providential moments occurred: the former student we were meant to interview in Norway ended up coming with his wife and child to stay for the spring—and we got to interview him after all! Other people we’d known from the past came and went. Debbie's father, Marek, kindly came to visit for a week to bring us our hard drives with the documentary footage on them—and getting to see him experience L'Abri was so rich. At one point, there were 9 students from the summer of 2022 (when we’d shot A Kingdom of Tea & Strangers) back together again, which made for a joyful reunion. It’s one thing to see people you didn’t know you'd see again—but to see the same group of people back together in the same place, completely unplanned? That’s special. 

During our time at L'Abri, we also commissioned our friend (and composer, and sound-mixer, and fellow documentary-filmmaker) Nate Sheppard to go and shoot the final interview for AKOTAS: a follow-up with a former student named Francis, who lives in Canada. Nate finished the shoot and had nothing but good things to say—and the footage looks great!

Because we were staying longer at The Manor, we also got to capture some extra footage for the documentary: an interview with Richard and Jane Winter, two former English L’Abri workers who live in the area. A follow-up interview with Erin Parker, a former helper who moved to Liss. A special harp solo addition to the "Songs From The Shelter" album contributed by our friend Poppy Hulpert. Not to mention loads and loads of extra shots of the Manor House during the springtime.

If you’d like to see some film photos from the term, check out the gallery section on my website for everything I captured—or this video montage!

Hello again, all you generous and kind strangers!

It's finally time to post the update we'd been hoping and praying that we would get to post eventually: WE ARE FULLY FUNDED!

It's difficult to avoid speaking in platitudes and cliches in these updates, but from the bottom of our hearts, we want to say thank you. The amount of people who not only gave but shared the project—and spoke so many words of encouragement to us throughout this process—has been staggering and beautiful.

One of our friends told us near the start of our campaign that "the most important thing isn't meeting your goal, it's gathering a community." Now that we're at the end, I think it's safe to say we understand what she meant. Seeing so many wonderful people come out of the woodworks from all different seasons of our lives—and many, many people we've never met but look forward to meeting—has been a comfort and a joy. For all of you who spent time praying for us throughout these last few weeks, and some of you throughout these last few years, we are so grateful. Since the beginning, our hope has been that A Kingdom of Tea & Strangers would become a vessel for community, and a tapestry of creative people lending their gifts and experiences to create a vision of something transcendent. In these recent weeks, it has really felt like the Kickstarter has brought that hope into reality.

As a special thank-you gift this week, we've been sending our new backers the link to an exclusive song from Becca Jordan called "House of Wonder," which will be featured on our Songs From The Shelter tie-in album. If you haven't received it yet, here's the link to it for everyone! A few weeks ago, we also sent out a link to the original musical score for the trailer by Nate Sheppard, which you can hear right here!

We also wanted to celebrate by sharing another clip with you: a montage from near the start of the film featuring interviews with the residents of Greatham, the small village surrounding English L'Abri. It was a delight to meet them all, and while most of the film doesn't feature these talking-head-style interviews, it was lovely to include some of the history of L'Abri through the people it has touched. Click here to watch it!

It's been a hectic 3-and-a-half weeks, but we're so glad that we decided to run a Kickstarter—especially when we did! The season of Thanksgiving ended up being such a good time for it. In fact, I've been told that our progress graph is very uncommon compared to most Kickstarters; while many projects have a total plateau in the middle and then skyrocket upward near the end, A Kingdom of Tea & Strangers has had a steady growth throughout our entire 24 days. That's amazing, and it's thanks to all of you!

We're so happy to have this huge milestone out of the way going into December, for a number reasons. First and foremost, we're looking forward to being able to focus on editing the film again! We're also going to be traveling to see Debbie's family for Christmas in Czech Republic in mid-December, and we're so relieved that we'll be able to focus on spending time with them without any anxiety around funding. Truly, praise God.

Our goal is $28,000, which means we’re going to need to get a lot of people involved to hit the number and finish—with a target premiere date of early summer 2024. We'd be honored if you'd consider donating. If you know anybody who might be interested in the project, especially if they know or appreciate anything about L’Abri, please think about sharing the link with them too. The funding deadline is Friday, December 1st. As part of the launching of the Kickstarter, Houston wrote an essay for The Rabbit Room about the making of the film that you can read here. Speaking of The Rabbit Room, that leads us to our other exciting update...

A Screening of Tea & Strangers

Here's the other exciting bit: an audience in Nashville got to see a one-hour preview of A Kingdom of Tea & Strangers in October!

As many of you know, the two of us spent the spring of 2023 working on post-production as “Artists in Residence” with a faith/arts nonprofit called The Rabbit Room in Nashville. Last month, thanks to the kindness of our friends Andy Patton and Pete Peterson, we were able to screen a one hour excerpt of our rough cut at The Rabbit Room’s annual creative conference called Hutchmoot. It felt like a culmination of a film about community to show parts of it in community.

The Documentary Gets a Title (and an epilogue!)

Another piece of our work throughout the spring and summer was titling the documentary. In the early stages of production, our working title had been Glorious Ruins, based on a phrase often-said by Francis Schaeffer, the founder of L’Abri. In interactions with others, though, we found that this title was too esoteric; during the early summer months, we tossed around and workshopped just about every L’Abri-adjacent word under the sun. In the end, after much prayer and back-and-forth, we decided on a title that felt simultaneously imaginative, descriptive, and mysterious: 

A Kingdom of Tea & Strangers. We hope you like it!

While watching the footage of the documentary and structuring out where the story was going to go, one thing became very clear: since a good portion of the drama of A Kingdom of Tea & Strangers hinges on students coming to terms with leaving L’Abri, it only made sense (as an epilogue) to follow-up with some of those students in their lives back home now that time had passed. In May, we spent a day interviewing our friend Evan, who had conveniently moved to Nashville. In June, we made a pitstop in Charlotte, NC to interview our friends AJ and Emery, who were hospitably hosting a dinner in AJ’s home that night. And in July, we took a plane out to Santa Barbara, California, where we interviewed another friend, Ford. These interviews were all deeply meaningful—and will add so much to the ending of the film, shifting the context from a Victorian manor house in England and bringing it back to a world that the audience will recognize. And there are still more to come! If funds allow, we hope to interview two students in England, two in Norway, and one in Scotland by the end of the year.

An Album and Finally: A Trailer!

Another project that organically took shape in these last months was more musical than the rest. When we started this year and looked at how we could help to elevate the voices of some artists outside of ourselves, one idea sprang to mind: a L’Abri-inspired concept album, featuring an eclectic collection of songs by people who had experiences around L’Abri and wanted to sing about it. As of now, we have 10 brilliant artists (most of them former L’Abri students) all writing original songs for the album, including a harp solo, a piano suite, and several vocal tracks. We’re excited to have something else to release, especially as the doc gets closer, that can immerse people in the atmosphere of the film.

Toward the end of the summer, as we finally began work editing the documentary on a scene to scene basis, we also started working on something else: the first trailer to be publicly released. Up until now, the original teaser, which you may have seen back in December, was only available through private links like this newsletter. This new trailer will be intended to be posted more accessibly on Houston’s YouTube channel and help more people know about the project. We spent a few months workshopping, our friend Nate composed a score and mixed the sound, and it’s finally ready.

So, without further ado: the first full trailer for the newly-titled A Kingdom of Tea & Strangers!

Even more providentially, The Vedders’ house is located about 5 minutes away from the main offices of The Rabbit Room, called North Wind Manor. The Rabbit Room is a nonprofit founded by Pete & Andrew Peterson that seeks to cultivate community for Christians in the arts. Needless to say, the two of us have been encouraged by their work for years now, and always dreamed about getting to be involved in what they were doing.

After leaving English L’Abri, Andy Patton became The Rabbit Room’s Director of Operations last year, and he offered to help us by letting us work as “artists in residence” at North Wind Manor for our season at The Vedders' house. Practically, this meant that we would a) have a place to go to work on editing the L’Abri documentary every day, and b) have lovely people and a community of likeminded artists to be around regularly. Many of the people at The Rabbit Room were familiar with the work of L’Abri, which also meant our current task would be seen and understood. This was such a gift.

And so, since January, we have been working every day at The Rabbit Room’s North Wind Manor, spending time with wonderful people, eating very good food cooked by our friend Rachel Matar, and facing the gigantic task of watching and notating through all 60 hours of our footage on the L'Abri documentary. It's probably the most fruitful and integrated season of work and community we've had - and it's so unbelievably helpful to not be working from home in isolation. It only makes sense that a L'Abri documentary would be made around community.

The process of transcribing and watching through the L'Abri footage has been rewarding as well, if a little tedious at times. The most surprising thing has been how many common themes and motifs have made themselves known across our footage in ways that we didn't perceive or understand at the time of shooting. One prominent theme has stemmed from Matthew 11: "Come to me, all you who are weary and burdened, and I will give you rest." Many of the students we interviewed were carrying heaven burdens and ultimately found rest at L'Abri; many of them also talked about a need for rhythms of rest in their day-to-day lives back home. It's been very gratifying to see God slowly and subtly reveal the story He wants to tell in footage that seemed so overwhelming at first glance. After two months of watching, transcribing, notating, and brainstorming, we're finally ready to move into a stage of real editing.

The Art Within Podcast & Other Projects

In the midst of our primary work full-time on the L'Abri doc, we've also been able to pour into some side-projects for Art Within and otherwise. Debbie is working on a visual short-film adaptation of "A Liturgy for Days and Nights of Doubt" with The Rabbit Room, and Houston and Nate Sheppard (our composer for the L'Abri documentary!) have just released the first episode of the newly-launched Art Within Podcast! Much like Art Within itself, the podcast seeks to create a space for connection around art, community, and spirituality. Season One is titled "Cultivating Community in the Digital Era." We hope you'll listen and join the conversation! Click here to join the Substack email list for the podcast, or stream on Apple Music and Spotify.

The two of us had our first wedding in Czech Republic back in October of 2021, but because of COVID restrictions and other complications, it was only for Debbie’s side of the family. This wedding in the USA, one year later, was the opportunity for our two families to meet one another in person for the first time and complete the journey of our first year of marriage. When Debbie’s family landed in Atlanta and finally met Houston’s for the first time, it felt like things were exactly the way they were supposed to be. And the weeks we spent with our two families staying on the same street, our dads walking and talking about God in the woods together, and Debbie's little brother experiencing his first Halloween, were a beautiful glimpse of eternity.

The wedding itself was another thing of beauty, including a dramatic scripture reading/re-enactment by our bridesmaids and groomsmen, readings from our old journals, and a misty autumn day fit for Charlie Brown and Linus. The time after was even richer; we had about 30 friends stay with us in a very magical and rustic L'Abri-esque cabin in the mountains, with about half of the friends being those we'd met at L'Abri. We managed to host two brunch discussions with everyone there, giving the L'Abri folks some nostalgia and the non-L'Abri folks a little glimpse of this place we always talk about. The discussions were rich, we played many games of Werewolf and Hive, washed lots of dishes together, and the whole time at the cabin felt like the spirit was powerfully present. It made us realize that gathering people together and creating a space for them to have community was something that felt like a calling for both of us.

A Vision for Art Within

In the time since the wedding, the two of us have devoted a great deal of thought to our shared vision for our nonprofit, Art Within, in the coming year. Art Within was originally founded in 1995 by Houston's dad, Bryan, as a way to authentically blend faith and art for the stage and screen. In 2023, Art Within is coming back! The two of us are now acting as the artistic directors with a growing vision for what we want to do next.

We've condensed it all into this new mission statement: "Art Within aims to create thought-provoking art that engages and highlights the presence of God in our world, making a space for a spiritually-disillusioned generation to be re-enchanted by faith."

Simply put, we want to tell stories that organically invite people into a world where, as L'Abri worker Wade Bradshaw once put it: "God still does stuff."

One of the things that our time with friends after the wedding showed us was that we're passionate about creating spaces to invite people into a re-enchanted world. Since Houston started his YouTube channel 12 years ago, he's been creating spaces in the digital world for people to experience thoughtful art & analysis that allows them to talk and think about deeper things in a way that isn't preachy, but thoughtful, natural, and nuanced.

Psalm 107 says, “Let the redeemed of The Lord tell their story.” God has called us to tell the stories of His surprising and faithful character within our current generation - and we want to begin doing that by bringing Art Within into the digital landscape, leveraging our experience there to invite and engage spiritually-disenchanted people.

A Peek at The L'Abri Documentary!

Perhaps most pertinently: we've just completed the teaser trailer for the L'Abri documentary! With the busyness of this season, we're still very much in the early stages of post-production and it will probably be several months before we have much else to show. But we wanted to put together a trailer to help show people what we're working on. The film's current title, Glorious Ruins, is still a working one! Our composer and friend Nate Sheppard, in all his talents, did the musical score for the trailer - and we're so excited for you to see it.

Click here or tap the image below to watch the teaser trailer.

It became very clear in the first few days, however, that “quickly” was not going to be the way a documentary about L’Abri would go. L’Abri means “shelter”, and as such, many of the people who come to The Manor are there to rest, retreat, or recuperate from exhaustion or pain in their lives back home. Understandably, many people weren’t initially very excited about being filmed by two strangers they hardly knew yet. When Houston flew his drone over The Manor one evening to film the sunset, he heard later that a few people had been afraid they were being recorded while they were having time alone outside. Within a few days, it felt like misunderstandings like this were going to be rampant.

It was a difficult start to the term, trying to be present with so many lovely people but feeling like everything needed to be fast-tracked to use the time well. Luckily, the two of us had mentors: Lili and Josué Reichow, to help communicate during the documentary process. Josué and Lili are both L’Abri workers, former sociologists, and lovely people who have a vast appreciation of art as a whole. The two of them advised us to slow down significantly and experience the first 2-3 weeks of the term without filming at all, only investing our time into being present with the community and being known by the students around us. This was very hard advice to hear, especially as we watched so many wonderful moments slip past without being captured on film, but we heeded the wisdom…and slowly, gradually accepted that these early weeks would be for planting, not harvesting. Suddenly, it felt like God was directing our attention toward “people” over “project" - and we started to get closer with the community around us outside the context of filming.

The Turning Point

In the midst of the busyness, in our limited downtime: we had the chance to reunite with multiple friends from our previous terms at L’Abri, Houston managed to read through the first half of the Bible, Debbie worked on writing her memoir book, and for four Thursdays in a row…the two of us went to see Top Gun: Maverick in nearby Portsmouth Harbour - with multiple friends joining us as time went on. Ironically enough, God brought several deep spiritual insights out of Top Gun. One of them was the way that Maverick inspires his students that their seemingly “impossible mission” can truly be flown…by dramatically demonstrating it himself. This got our gears turning about how we might inspire our fellow students at L’Abri with what this documentary might look like with their involvement.

About three weeks into the term, the workers allowed us to use one of the weekly film discussion nights to show the students our previous documentary, Love In The Time of Corona, and our concept film for the L’Abri documentary featuring former L’Abri workers Andy and Lindsey Patton. Initially, we had only intended to show the proof of concept short film, but showing Love in The Time of Corona ended up being the most significant portion of the night. It’s a documentary about our long-distance relationship during COVID beginning at L’Abri, which made it feel very full-circle and showed the students a more personal side of our story. When the film ended, the whole room erupted into a standing ovation. The two of us had no idea what to do with ourselves - but it was a deeply meaningful moment we'd never anticipated. As it turned out, our film was more universal than either of us had realized; we assumed it was just a hyper-personal diary of our own limited story, but the portrayal of connection and resilience during the quarantine era resonated deeply with many others.

After showing both films, we had an open discussion with the community about our documentary plans, and ended with a prayer. Many of the students and the workers were very encouraging of our work and desires - one worker, Joel, encouraged people to see their participation in the project as “a way to bless other people” even if it made them initially uncomfortable. At the same time, many raised hard questions - mainly about how we could maintain the “shelter” as we tried to film in such a vulnerable setting. The best conclusion was to start slowly...and we decided that we would plan to schedule every filming session on the daily work-list, so that students would have the peace of mind of knowing when and where we would be filming.

Going into the term, our approach to making the documentary had been “assume everyone is okay with being filmed unless they tell us otherwise.” In the early weeks, as we walked with God down the quaint Church Lane every day, it became very clear through prayer that the more fruitful approach would be “assume no one is okay with being filmed unless they agree to participate.” It was a difficult change of mindset to make, but one that ultimately would produce more fruit and personal trust in the long-term. After our movie screening night, we requested that everyone come to speak with us personally in the next few days to tell us how they felt about being filmed, either in the background or in more focused interviews.

What a huge answer to prayer it was when almost everyone told us that we had their trust! In retrospect, it had been a massive answered prayer that we were able to show Love in The Time of Corona, because it gave people a glimpse of our story beyond this particular project…and made them want to be part of what we were doing next.

Filming (Really) Begins

In the next few days after the film discussion night, our filming finally started to get moving. We scheduled various work crews, like laundry and cooking and gardening, to film during each day. We filmed a myriad of tea breaks and settings of tables. And, excitingly, we interviewed our first set of workers: Josué and Lili. 

After this important milestone was cleared, the term began to fly past. Some days were slower, but many were packed with various things to film from sunrise to sunset. We learned to navigate communication with the students who didn’t want to be filmed, and also how to communicate with the newly-arrived students who hadn’t been present for our screening. We said goodbye to new friends (Aron from Hungary, Nancy from DC, Colin from Scotland, and Francis from Canada!) who were leaving halfway through the term. And we definitely gained a few pounds of muscle from holding our camera rigs day in and day out.

The weeks weren’t without obstacles; the sheer exhaustion was one, but with so much of our filming scheduled in advance, the most difficult task was achieving any sense of spontaneity to capture those “in-between” moments that were impossible to plan. 

Halfway through June, a small wave of maybe-COVID sickness swept through and left a few students quarantined during the day, hanging out on picnic blankets on the lawn. One of the students, Nick from the UK, said “honestly, it sucks to be sick here…but there’s no other place I’d rather be sick right now.” Even amid the sickness, it was moving to see the Lord’s care through people and their practical help, like bringing meals outside, coming to read poetry and play music, and taking extra work crews when several people were down for the count. Many of the students said one of the times when they felt most loved by God was when they were sick in the community. 

It would’ve been a special period to capture - the difficulty and beauty of hospitality and community even when people are sick - but few people wanted to be filmed when they were in their “sick mode.” Situations like this happened frequently; no matter what you do, the most interesting things always occur off-camera.

The complexity and difficulty of making a documentary about community while living in community proved to be one of the more interesting parts of the story itself, and the topic came up frequently in interviews. It remains to be seen whether that question will be the crux of our film, but it’s certainly been the dramatic question of our summer...and it continually, sometimes reluctantly, made us realize the goodness of our limitations.

Moments of Glory

Many great things did make it on camera, though: we talked to American worker Sarah about her own experience as a student 20 years ago and her collection of medieval weapons and art. We shadowed Scottish worker Catherine as she picked wildflowers to decorate The Manor. We captured one of the weekly Monday morning prayer meetings, a staple of L’Abri life and a very vulnerable setting that would nonetheless be integral to communicating what the film is about. We documented the annual game of “Paper Ball Wars” stretching across The Manor property around July 4th. We filmed a Scottish Ceilidh dance during one Sunday evening. We followed a worker, Dawn, to the grocery store - and got subsequently kicked out for filming without permission. But hey, we got what we needed! We interviewed various students one-on-one and heard more of their individual stories, while also following groups of friends like AJ, Emery, and Ellie to the pub and on strolls down Church Lane. For all the students who claimed they would be “unnatural and awkward” in front of the camera, nobody came across that way; most people were outgoing and comfortable - almost to the point where we needed to find what wasn't comfortable.

Encouragement from Other Artists

Halfway through July, we managed to get away for a half-week in Oxford for The Rabbit Room’s annual Hutchmoot conference - a meeting of Christian artists from around the world! Andy and Lindsey Patton kindly allowed us to stay with them while they were there for the conference as well - and we both felt seen (and a little intimidated) by being around so many like-minded people with similar loves of beauty and truth. We went to the pub with singer/songwriter Andrew Peterson and his wife Jamie, met the wonderful and keen head of publishing at IVP UK named Caleb Woodbridge, talked to authors like Glen Scrivener and Alistair Gordon, and (of course) peered into the windows of the pub where CS Lewis and Tolkien first tossed around their ideas. It was closed for renovations! Houston also got to connect with Andrew Brumme, the director of a documentary series called Taste and See about the spirituality of food, and Pastor Matt Canlis, the main subject of the acclaimed documentary short film Godspeed. Both Andrew and Matt mentioned that their respective documentaries were filmed in the tiny span of 3 days - which gave both of us a much-needed relief that if we’d spent the entire summer filming, surely we’d have something!

The Home Stretch

Before heading to America, we made a brief pit-stop at L’Abri in Greatham for two days to drop-off our camera gear at The Manor and reunite with some old friends. This was the first time in 2 years, since we met, that the two of us had returned to Greatham! Re-walking the paths we know so faithfully and finding them in lush spring, we were relieved that everything felt much the same as always. Needless to say, returning to the same little stone wall and seeing all those chimneys poking over the ivy was surreal. 

When we arrived at The Manor, after walking the 2 miles from the Liss train station, the two of us were soon met by Ranald Macaulay - the original founder of English L’Abri (and husband of Susan Schaeffer Macaulay) who now lives in nearby Petersfield. Ranald came to the Manor on his bike to meet us for tea and talk about the project. He's now in his 80s, but as soon as he saw us in the driveway, Ranald came outside and said “which is the heaviest bag? I’ll carry that one!” Then he scurried into the kitchen to find the best tea, and we had a lovely brainstorming chat in the library. Ranald and Susan founded English L’Abri in the early 70s, and they are still active in the surrounding community. We were honored to have his insights and good humor.

Another piece of lovely hospitality we experienced in our brief two-day stay was from The Smileys, Tom and Lizzie, who offered us their Shepherd’s Hut (something like a tiny-house) to stay in their backyard for the weekend. Tom brought us fresh eggs from the chickens roaming free in the yard, told us about how the Shepherd’s Hut had been built by former L’Abri worker Doug Curry, and we had a great time getting to know the two of them better than we had before.

The night before we were supposed to leave for America, Debbie found her stomach very upset from some fish and chips we’d eaten at the pub that day - she was even developing a fever. It was so bad that we feared we might have to change the flight, but after some earnest prayer from our friends (including some of you!) Debbie thankfully woke up the morning of the flight feeling very refreshed.

We arrived in America on April 30th to stay for 3 weeks and be there for the high-school graduation of Houston’s sister, Haviland. These weeks were filled with many visits to family, a camping trip with friends, lunches with old mentors, late-nite Waffle House meals, a visit to the beautiful city of Greenville, a day in Atlanta’s Piedmont Park, wedding planning for the autumn, and telling people about our documentary plans for the summer.

As far as “fundraising” for the documentary - though we feel hesitant to overuse that term - we were met with many surprises and answers to prayer even in those short 3 weeks. Two meaningful friends and mentors from Debbie’s church gave $5,000 when we didn’t expect it. Multiple family members reached out to contribute provision and encouragement. We received generous donations from churches that had been significant in our lives - some for years and others only for months. We are now at roughly $22,000 of a $37,000 budget - which is more than enough to get us started in these next months.

Through what the two of us would describe as a “divine appointment”, we happened to bump into the pastor of River City Church, Josh Turner, at a coffee shop along the Chattahoochee River and ended up having a very rich conversation with him about our shared vision for spiritual community, hospitality, and church life.

Haviland's graduation was a meaningful send-off where even she led the attendees in worship, and we got to visit her university in South Carolina to see what life will be like for her there. On the final Sunday we were in the states, we went to River City Church and received a lovely send-off and prayer from the entire church body. It was very meaningful to have so much support from a church community even when we were not able to be part of it for very long.